name
Ma Shuai
Scholastic degree
—
Academic rank
—
Honorary rank
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Organization, job position
• Gertsen’s State Pedagogical University of Russia
Research interests
камерно-вокальное творчество русских композиторов ХХ века – И.Ф. Стравинского, М.М. Ипполитова-Иванова, И.Е. Остромогильского, Г.Г. Белова, Г.И. Фиртича и др.; проблемы воплощения поэтического слова в музыке
Web site url
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0
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—Articles count: 1
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Description
The article is devoted to the characteristic of poems of east poets (Japan, China, Korea) on which vocal cycles were written by the Russian composers of the XX century. It becomes perceptible that the appeal to east poetry became a tendency, which appeared during the era of the Silver age of the Russian culture. The reasons of the origin of this tendency were revealed. The names of I. Stravinsky, S. Vasilenko, M. Ippolitov-Ivanov, D. Shostakovich, G. Sviridov, S. Slonimsky, L. Grabovsky, A. Nemtin, A. Raskatov, D. Smirnov, V. Kikta, G. Belov, G. Firtich, I. Ostromogilsky, etc. are given as an example of its implication. The large-scale literary list includes poetic of Ancient Chinese poetry, Japanese ancient (medieval) poetry, classical Korean poetry, folklore verses. In the conclusion, typical lines of vocal cycles on these poetic works are shown. The center of this poetry is images of the nature, communication with it of inner world of the person. This poetry is distinguished by a reserved manner of the embodiment of rich inner world, thin psychological gradation. Other figurative constants – love collisions, philosophical reflections about meaning of life, loneliness, exile. They are embodied emotionally frostily, laconically by means of expression
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