Shuya State Pedagogical University
Author list of organization
List of articles written by the authors of the organization
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EMBROIDERY IN THE IVANOVO REGION IN THE XIX – XX CENTURIES
DescriptionThe author carried out a research about the beginning of embroidery craft in Ivanovo region in the XIX – XX centuries. Flax weaving has become a foundation for embroidery—one of the most peculiar feature of Ivanovo region. The author proves that the folk craft of embroidery has deep artistic-vocational traditions and historical roots. Motifs of the ornament, symbolic designs were also common not only for North-Western Russia but also were widespread in the present Ivanovo region, former Vladimir, Kostroma and Yaroslavl provinces. The research found out that those who lived this territory used to live in Novgorod lands that was often proved by the motifs of the embroidery that were quite popular in that part in ancient times. The techniques of embroidery and patterns of the drawing echo with the ones from Arkhangelskay province in the XVIII – XIX centuries. By the end of the XVII and the beginning of the XIX centuries Ivanovo region was well-developed in crafts that became an important part of folk culture of the Upper Volga region. The author researches the organization of embroidery craft after the October revolution of 1917, formation of craft groups and their reorganizations. It was also found out that by the middle of the XX after the Great World War of 1941-1945 the craft was reorganized one more time. New experimental and creative workshops were formed; new production locations were built for factory workers on a state level, special favorable conditions were created for effective work. With the advent of Perestroyka in 1990s embroidery as a craft was almost lost. The implication of the research is that the history of every country entirely depends on the artifacts which bear global information about the epoch they were created
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THEMES AND MOTIVES OF ORNAMENT FOLK EMBROIDERY IN THE RUSSIAN NORTH IN XVIII CENTURY
DescriptionThe article discloses a feature of graphic ornamental motives of embroidery in clothing and household decoration, typical for the North-West region of Russia in the XVIII century. The semiotic status of the Russian clothing and household decorations with decorative ornaments embroidery with figurative ornamental motives as a group of functionally related items have remained very high, having both utilitarian and sign pragmatics for millennia. Despite the sociohistorical processes, changing the external shape of the suit, the symbolism of embroidery patterns remained unchanged and continued to exist until the twentieth century. In connection with the political events, readier subjects and fine motives can be traced in the Russian folk embroidery due to the resettlement of Novgorod in the XV century. This is the way from Novgorod to Arkhangelsk and the path from Veliky Novgorod to Vologda where Novgorod settled, keeping their culture. It is proved, that there is a correlation between the zoomorphic pendants, amulets female ornaments of the tenth century and plot embroidered with iconic ornamental motives of the North-West region of Russia. People piously observed the laws of their fathers and grandfathers. The embroidery from generation to generation has been portraying images of ancient mythology. The most common images in the northern Russian embroidery were the goddess of Mokos, Rozhanitsy, birds, horses, moose, deer, and wild animals and plants, depicted in subject compositions. The zoomorphic motives are also the images of flying dragons, symbolizing lightning, they are often found in Russian folk tales. Fire Dragon was considered the protector of property and fire. The people’s attitude to fire was special: it was called "You sir, the King-fire", and it was regards’ a god. One of the main roles in the embroidery is given to the technical side. Counted Russian embroidery stitches do not only recreate the image, but also express its essence
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V. SEROV’S WORKS IN HIS CONTEMPORARIES’ LITERARY CRITICISM
DescriptionThis article focuses on the early literary works dedicated to the cultural heritage of the artist, as well as on the peculiarities of the approaches used by the researchers in their studies
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TECHNOLOGY OF EDUCATION OF STUDENTS IN SAFE AND HEALTHY LIFESTYLE
DescriptionThe article describes a phased technology of Health-education at the university, aimed on the formation of students’ healthy and safe lifestyle. We have also identified the stages of goal-setting, goal-implementation, goal-adoption and goal-enrichment. At each stage, we have based the forms and the methods of educational work
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THE VALUES OF THE ART OF RUSSIAN EMBROIDERY IN THE FOLK CULTURE AS A SOCIO-CULTURAL PHENOMENON
DescriptionA study of the Russian costume and household items was carried out. It is proved that folk art of embroidery has deep artistic and craft traditions and historical roots and is a special socio-cultural type of folk culture. The ornaments were one of the characteristic features of Russian clothing, its technical techniques of embroidery, specific ornamental motifs and colors, which determine its originality, being, as it were, a passport of culture, its historical path, intercultural and interethnic ties. It is determined that decorative decoration with embroidery of costume complexes, related to archaism, is the value of Russian folk culture at historical stages as universal values. The nature and quantity of embroidery, even the semantic meaning of ornamental patterns, depended on the expediency, characteristic of folk clothes, on reasons of economy, age and local differences, and various customs in accordance with which clothes were used. Images of ancient Slavic mythology came into folk embroidery and lived there for centuries not by chance. They decorated clothes, towels, and ghosts, which had important ritual significance during folk festivals and traditional rituals. The people faithfully observed the laws of fathers and grandfathers, along with them, from generation to generation, images of ancient mythology also came. The implication of the research is that the history of every country entirely depends on the artifacts which bear global information about the epoch they were created
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“WOE FROM WIT” BY A. GRIBOYEDOV. THE WAYS OF OVERCOMING RHETORIC
10.00.00 Philological sciences
DescriptionThe article analyses the pioneering character of Griboyedov’s comedy “Woe From Wit” from the point of view of overcoming a traditional rhetorical cliché. The article is focused on the synthesis of genres realizing in the comedy alongside with parodying vaudeville style, existing outside the genre oppositions of traditional poetics