10.00.00 Philological sciences
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AUTHOR’S PUNCTUATION IN FICTION (ON THE EXAMPLE OF BOUDART’S AND DUMOULIN’S WORKS)
10.00.00 Philological sciences
DescriptionThe functioning of the author’s punctuation in the works of French modern authors is investigated in the article. The author’s punctuation should be considered in the case when the use of a mark dominates in work that is based on the normative use of punctuation marks
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AUTOBIOGRAPHICAL PROSE OF BORIS PASTERNAK: THE PROBLEM OF THE AUTHOR’S IDENTIFICATION
10.00.00 Philological sciences
DescriptionThe article deals with the problem of author identification in the early autobiographical prose of Boris Pasternak. In his early autobiography "Safe Conduct" the poet searches for artistic and personal self-identification. Unlike the traditional genre of autobiography, "Safe Conduct" is based not on memory of real facts but on sensual feelings from them. It means that autobiographical prose created by the poet reduces the real biographical facts, filling gaps with emotions and feelings. This feature coupled with fragmentariness of narrative fragmentation tends “challenge to biographism”. Indulging in memories, searching for artistic self-identification the poet defines his own identity. Search for himself Pasternak associates with biography of "other" people, who have played a great role in formation of his personality. “Safe Conduct” is tractate on someone else's creative genius. Meanwhile the author puts himself aside and takes a reset position towards “other” talents. These relationships have a repeated temper. Firstly, the author admires someone’s talent, coming closer to it, and then breaks up with it, and finds his own way. The final goal of self-identification is poetry; the author closes to it through philosophy and music, overcomes their attractiveness and leaves them. The fundamental feature of Pasternak’s poetry and biography is the necessity to identify and understand himself through "alien", "other" things
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A. N. OSTROVSKY AND SOVREMENNIK MAGAZINE IN 1860-S
10.00.00 Philological sciences
DescriptionThe article examines Ostrovskiy's works of 1860s, when he was closely related to Sovremennik magazine. A special interest is paid to the critical point of that time playwright works, changes in types of characters, peculiarities of storylines and inside conflict